Scene Releases - Movie Sources & What They Mean
Possible sources for movies/DVD's/Blurays - They are ordered according to which is released first:
CAM (Camera):
A cam is a theater rip usually done with a digital video camera. A mini tripod is sometimes used, but a lot of the time this wont be possible, so the camera make shake. Also seating placement isn't always idle, and it might be filmed from an angle. If cropped properly, this is hard to tell unless there's text on the screen, but a lot of times these are left with triangular borders on the top and bottom of the screen. Sound is taken from the onboard microphone of the camera, and especially in comedies, laughter can often be heard during the film. Due to these factors picture and sound quality are usually quite poor, but sometimes we're lucky, and the theater will be fairly empty and a fairly clear signal will be heard.
TS (Telesync):
A telesync is the same spec as a CAM except it uses an external audio source (most likely an audio jack in the chair for hard of hearing people). A direct audio source does not ensure a good quality audio source, as a lot of background noise can interfere. A lot of the times a telesync is filmed in an empty cinema or from the projection booth with a professional camera, giving a better picture quality. Quality ranges drastically, check the sample before downloading the full release. A high percentage of Telesyncs are CAMs that have been mislabeled.
TC (Telecine):
A telecine machine copies the film digitally from the reels. Sound and picture should be very good, but due to the equipment involved and cost telecines are fairly uncommon. Generally the film will be in correct aspect ratio, although 4:3 telecines have existed. TC should not be confused with TimeCode , which is a visible counter on screen throughout the film. Click here to read more about telecine.
SCR (Screener):
A pre VHS tape, sent to rental stores, and various other places for promotional use. A screener is supplied on a VHS tape, and is usually in a 4:3 (full screen) a/r, although letterboxed screeners are sometimes found. The main draw back is a "ticker" (a message that scrolls past at the bottom of the screen, with the copyright and anti-copy telephone number). Also, if the tape contains any serial numbers, or any other markings that could lead to the source of the tape, these will have to be blocked, usually with a black mark over the section. This is sometimes only for a few seconds, but unfortunately on some copies this will last for the entire film, and some can be quite big. Depending on the equipment used, screener quality can range from excellent if done from a MASTER copy, to very poor if done on an old VHS recorder thru poor capture equipment on a copied tape. Most screeners are transferred to VCD, but a few attempts at SVCD have occurred, some looking better than others.
DVDSCR (DVD Screener):
Same premise as a screener, but transferred off a DVD. Usually letterbox , but without the extras that a DVD retail would contain. The ticker is not usually in the black bars, and will disrupt the viewing. If the ripper has any skill, a DVDscr should be very good. Usually transferred to SVCD or DivX/XviD.
WP (Workprint):
A workprint is a copy of the film that has not been finished. It can be missing scenes, music, and quality can range from excellent to very poor. Some WPs are very different from the final print (Men In Black is missing all the aliens, and has actors in their places) and others can contain extra scenes (Jay and Silent Bob) . WPs can be nice additions to the collection once a good quality final has been obtained.
Retail DVD/Bluray:
DVD's/Bluray's which are available in shops.
--------------------------------------------
Video Standards:
PAL / NTSC:
PAL and NTSC are two different video standards, the former being European, and the latter being American. PAL has a slightly taller screen (256 lines non-interlaced, non-overscanned) as opposed to NTSC (200 lines), so if you see the bottom portion of a program's screen getting cut off on your American machine, chances are the program was written for PAL, and is running on your shorter NTSC screen. PAL and NTSC differences are somewhat less important to European users; since their machines default to PAL, running an NTSC program is no more than a minor annoyance having the screen only appear in the top portion of the display.
Other important tags for movies / DVD's:
COMPLETE:
A release is COMPLETE when it's a DVD5, so it didn't need any adjustments and therefore is untouched.
Most dvd's though are DVD9, so they need to be compressed to DVD5. DVD5 is much more wanted since all dvd player can read these dvd's, and almost every dvd burner can burn them. DVD9 discs are less popular, they are more expensive and not many people can burn a DVD9. When a release is DVD9 and not compressed, DVD9 is added to the release title. When it's a DVD9 and it's compressed nothing is added to the release title.
LiMiTED:
A movie is LiMiTED when it has a limited theater run. Generally smaller films (such as art house films) are released as limited. The scene considers a movie limited when it has a generally opening in less than 300 UK theaters, or in less than 500 USA theaters. In the scene jargon, it's ussually called 300 UK screens, or 500 USA screens. Officially, it's not the opening weekend's number of theaters that counts, but the peak of the number of theaters. For example; when a movie has 275 UK screens in the opening weekend, and 1 week later it has 325 screens, it's not limited.
iNTERNAL:
An internal release is done for several reasons. The most common reason is because it has already been release before, and with iNTERNAL in title, the release won't be nuked. I happens quite often with DVD's. Also lower quality theater rips are done iNTERNAL so not to lower the reputation of the group. An iNTERNAL release is available as normal on the groups affiliate sites, but they can't be traded to other sites without request from the site ops. Although some releases are iNTERNAL, they still can be very popular. Apart from DVD's also other types of warez are done internal. For mp3's the tag is different concerning internal. For mp3 releases it's releasetitle-year-Group_iNT. That way the internal release won't be calculated into the group's stats. This avoids mp3 groups from doing a lot of internal releases, since they would just do that to get better stats. Some groups rename iNTERNAL to iNT, since this much shorter.
Subbed:
In the case of a VCD, if a release is subbed, it usually means it has hard encoded subtitles burnt throughout the movie. These are generally in malaysian/chinese/thai etc, and sometimes there are two different languages, which can take up quite a large amount of the screen. SVCD supports switch able subtitles, so some DVDRips are released with switch able subs. This will be mentioned in the NFO file if included.
Unsubbed:
When a movie has been release subbed before, an unsubbed release may be released.
Custom.Subbed:
A release can also be custom subbed. Movies often are released earlier in the USA then they are released in Europe. These movies mostly contain a few subtitles, the ones that are spoken in the USA. European groups can create custom subtitles and add these to the dvd. For example, when Dutch subtitles were added to a NTSC DVDr: Madagascar.2005.Custom.NL.Subbed.NTSC.DVDr-Group. Offcourse, it's not just European, also Japaneese movies can be subbed english for example.
Dubbed:
If a film is dubbed, it is a special version where the actors' voices are in another language. Dubbed versions of English-language films are for people who don't understand English.
STV:
STV stands for Straight To Video. These movies were never released in theaters, but they were immediately released on video/dvd. Therefore, a lot of sites do not allow these movies.
SE:
SE stands for Special Edition. Like the name says, it's a special dvd edition of a movie. Often special editions contain extra material like trailers, interviews, making-of.
DC:
DC stands for Director's Cut. A director's cut is a specially edited version of a movie that is supposed to represent the director's own approved edit of the movie. It is often released some time after the original release of the film, where the original release was released in a version different from the director's approved edit. 'Cut' is synonymous with 'edit' in this context.
DL:
DL stands for Dual-Language, meaning the dvd contains more than one audio language. Synonym: ML.
FS / WS (Aspect Ratio Tags):
These are FS for FullScreen and WS for WideScreen (letterbox).
Language Codes:
The language of the movie and the language of the subtitles can also be mentioned in the release name. Sometimes the language is fully mentioned in the release name, such as DUTCH, NORDiC, GERMAN and iTALiAN. Sometimes it's shortened, then the ISO standard country abbreviations are used, those are the same which are used for www-domains, for example: NL (Dutch), NO (Nordic), DE (Germany), IT (Italian). For the full list of country abbreviations, click here. When there are multiple languages or subtitles, MULTi or MULTiSUBS is mentioned.
Extended:
Sometimes movies are released again on DVD because now the movie is extended. They have put back deleted scenes. For example, E.T. was produced first in 1982 and years later it was brought on DVD again, but now digitally remastered and extended.
Digitally Remastered:
Digitally remastered means that an older not-digital movie has been re-editted, remastered and is released on DVD. Some really old movies look very bad compared to the new digital movies. Then they remaster it to make it look better, edit it, recolor it etcetera. Remastering generally implies some sort of upgrade to a previous existing product, frequently designed to encourage people to buy a new version of something they already own.
Rated/Unrated:
Rated means a movie is censored, unrated logically means uncensored.
Recode:
A recode is a previously released version, usually filtered through TMPGenc to remove subtitles, fix color etc. Whilst they can look better, its not looked upon highly as groups are expected to obtain their own sources.
R1, R2, R3, R4, R5, R6 (Region Code):
A DVD gets released in a certain geographical area, or region. This was designed to stop people buying American DVDs and watching them earlier in other countries, or for older films where world distribution is handled by different companies. A lot of players can either be hacked with a chip, or via a remote to disable this. The regions are:
Region 1 - U.S., Canada, U.S. Territories
Region 2 - Japan, Europe, South Africa, and Middle East (including Egypt)
Region 3 - Southeast Asia and East Asia (including Hong Kong)
Region 4 - Australia, New Zealand, Pacific Islands, Central America, Mexico, South America, and the Caribbean
Region 5 - Eastern Europe (Former Soviet Union), Indian subcontinent, Africa, North Korea, and Mongolia
Region 6 - Peoples Republic of China
Region 7 - Reserved for future use, MPAA-related DVDs and "media copies" of pre-releases in Asia
Region 8 - Airlines/Cruise Ships
Region 9 - Expansion (often used as region free)
R1 and R2 are considered the best quality.
More general important tags:
PROPER:
Due to scene rules, whoever releases a certain release the first, has won that race. For example, when a group releases the CAM version of Titanic the first. If there is something "wrong" with the release (poor quality, out-of-sync, audio errors etc.) and another group has a better/correct version, it can release it and add PROPER to the release title to avoid being nuked. However, the source must be the same as the original release. For example: A poor quality CAM release by group A and group B releases their CAM release PROPER. A Telesync release doesn't PROPER a CAM release, because the source is different. PROPER is the most subjective tag in the scene, and a lot of people will generally argue whether the PROPER is better than the original release. The reason for the PROPER should always be included in the NFO.
Repack:
If a group releases a bad rip, they will release a Repack which will fix the problems. It's similar to PROPER but then done by the same group.
Rerip:
A previous rip was bad, now it's ripped again properly.
READNFO:
When something important is mentioned in the NFO or as a replacement for PROPER, READNFO can be added into the tag directory.
NUKED
A film can be nuked for various reasons. Individual sites will nuke for breaking their rules (such as "No Telesyncs") but if the film has something extremely wrong with it (no soundtrack for 20mins, CD2 is incorrect film/game etc) then a global nuke will occur, and people trading it across sites will lose their credits. Nuked films can still reach other sources such as p2p/usenet, but its a good idea to check why it was nuked first in case. If a group realise there is something wrong, they can request a nuke.
NUKE REASONS :: this is a list of common reasons a film can be nuked for (generally DVDRip)
** BAD A/R ** :: bad aspect ratio, ie people appear too fat/thin
** BAD IVTC ** :: bad inverse telecine. process of converting framerates was incorrect.
** INTERLACED ** :: black lines on movement as the field order is incorrect.
DUPE
Dupe is quite simply, if something exists already, then theres no reason for it to exist again without proper reason.
Important tags for mp3 releases:
TV: Audio from television material
Radio: Audio from radio material
WEB: Audio downloaded from an online music store
VLS: Vinyl Single (1-2 tracks)
EP: Vinyl Maxi-single (2-5 tracks)
LP: Vinyl Full-length Album
CDS: CD Single (1-2 tracks)
CDM: CD Maxi-single (2-5 tracks)
CDR: CD-Recordable (CD-R)
DVD: Audio from a DVD. Often cabaret shows or concert/music dvd's.
DVDA: Audio tracks which come on a DVD as a bonus. The DVDA part can't be played by normal DVD players.
MD: Audio from a MiniDisk
TAPE: Music from a tape
Promo: Promotional
XX: Imported
RETAiL: Retail
Liveset: A record of a DJ mixing live. Mostly recorded using:
- DAB: Digital Audio Broadcasting is a system used to broadcast radio programmes.
- SAT: Music broadcasted via satellite channels.
- CABLE: Music broadcasted by radio channels via cable radio.
Bootleg: Illegally recorded and pressed record. Often live recordings, sometimes studio out-takes. The name comes from people who hid a microphone in their boots!
Labelcode/Catnumber:
This is a code which is like a unique code for every music cd/vinyl/etc. The code isn't just some number, but it contains values which are recognisable. For example: Catnumber: WNRD2371 is a cd from WieNerwoRlD Ltd.
Clean: The music is censored. Generally sexual or violent words, which are replaced by 'bleeps' or stripped.
Explicit: The music is not censored.
Now some tags just for movies/TV rips:
Sources:
DVDrip: A copy of the final released DVD. If possible this is released PRE retail (for example, Star Wars episode 2) again, should be excellent quality. DVDrips are released in SVCD and DivX/XviD.
VHSRip: Transferred off a retail VHS, mainly skating/sports videos and XXX releases.
TVRip: TV episode that is either from Network (capped using digital cable/satellite boxes are preferable) or PRE-AIR from satellite feeds sending the program around to networks a few days earlier (do not contain "dogs" but sometimes have flickers etc). PDTV is capped from a digital TV PCI card, generally giving the best results, and groups tend to release in SVCD for these. VCD/SVCD/DivX/XviD rips are all supported by the TV scene.
Formats:
VCD (VideoCD):
VCD is a mpeg1 based format, with a constant bitrate of 1150kbit at a resolution of 352x240 (NTSC). VCDs are generally used for lower quality transfers (CAM/TS/TC/Screener(VHS)/TVrip(analogue) in order to make smaller file sizes, and fit as much on a single disc as possible. Both VCDs and SVCDs are timed in minutes, rather than MB, so when looking at an mpeg, it may appear larger than the disc capacity, and in reality u can fit 74min on a CDR74.
SCVD (SuperVideoCD):
SVCD is a mpeg2 based (same as DVD) video format which allows variable bit-rates of up to 2500kbits at a resolution of 480x480 (NTSC) which is then decompressed into a 4:3 aspect ratio when played back. Due to the variable bit-rate, the length you can fit on a single CDR is not fixed, but generally between 35-60 Mins are the most common. To get a better SVCD encode using variable bit-rates, it is important to use multiple "passes". this takes a lot longer, but the result
s are far clearer.
XVCD/XSVCD:
These are basically VCD/SVCD that don't obey the "rules". They are both capable of much higher resolutions and bit-rates, but it all depends on the player to whether the disc can be played. X(S)VCD are total non-standards, and are usually for home-ripping by people who don't intend to release them.
XViD/DivX (Digital Video Express):
DivX is a format designed for multimedia platforms. It uses two codecs, one low motion, one high motion. most older films were encoded in low motion only, and they have problems with high motion too. A method known as SBC (Smart Bit-rate Control) was developed which switches codecs at the encoding stage, making a much better print. The format is Ana orphic and the bit-rate/resolution are interchangeable. Due to the higher processing power required, and the different codecs for playback, its unlikely we'll see a DVD player capable of play DivX for quite a while, if at all. There have been players in development which are supposedly capable, but nothing has ever arisen. The majority of PROPER DivX rips (not Re-Encs) are taken from DVDs, and generally up to 2hours in good quality is possible per disc. Various codecs exist, most popular being the original Divx3.11a and the new XviD codecs.
CVD:
CVD is a combination of VCD and SVCD formats, and is generally supported by a majority of DVD players. It supports MPEG2 bit-rates of SVCD, but uses a resolution of 352x480(ntsc) as the horizontal resolution is generally less important. Currently no groups release in CVD.
Additional source info for TV Rips:
HDTV (High Definition Televison):
Digital recording from a source stream at either 1080i or 720p at a bitrate from 19,39mbps or higher.
PDTV (Pure Digital Television):
Other resolution digital recordings from source streams at a bitrate of 10+mbps or higher. It is a label given to files that were ripped directly from a purely digital source, having less resolution than HDTV. This is accomplished by using a TV tuner card capable of receiving Digital Video Broadcasts or C-Band.
SDTV (Standard Digital Television):
Digital recording or capture from a source stream at any resolution with bitrate under 10mbps.This includes DirecTiVo but also captures from digisat or digicable with analog capture cards.
TVRip (Analoge TV Rip):
Recorded from analog TV, lowest quality of all TV rips.
More TV info:
Season/Episode code:
A code which shows the season and episode of a tv show.
For example: S01E12 is season 1 episode number 12.
DSR (Digital Stream Rip):
Digital stream rip is a rip that is captured from a digital source stream, such as a HDTV or DVB transmission.
DVB (Digital Video Broadcast):
The standard for direct broadcast television in Europe and the US Based on MPEG2 Compression.
DSR (Digital Satellite Rip):
Recorded from Digital Satellite, quality is similar to PDTV.
PPV (Pay Per View television):
Pay television programming for which viewers pay a separate fee for each program ordered.
--------------------------------------------
Movie/TV Rips, WEB Rips and WEBDL
DVD-Rip DVDRip Very common
A final retail version of a film, typically released before it is available outside its originating region. Often after one group of pirates releases a high-quality DVD-Rip, the "race" to release that film will stop. The release is an AVI file and uses the Xvid codec (earlier DivX) for video, and mp3 or AC3 for audio. Because of their high quality, DVD-Rips generally replace any earlier copies that may already have been circulating. Widescreen DVDs used to be indicated as WS.DVDRip.
DVD-R DVDR,[13] DVD-Full, Full-Rip, ISO rip, lossless rip, untouched rip, DVD-5/DVD-9 Very common
A final retail version of a film in DVD format, generally a complete copy from the original DVD. If the original DVD is released in the DVD-9 format, however, extras might be removed and/or the video re-encoded to make the image fit the less expensive for burning and quicker to download DVD-5 format. DVD-R releases often accompany DVD-Rips. DVD-R rips are larger in size, generally filling up the 4.37 or 7.95 GiB provided by DVD-5 and DVD-9 respectively. Untouched or lossless rips in the strictest sense are 1:1 rips of the source, with nothing removed or changed, though often the definition is lightened to include DVDs which have not been transcoded, and no features were removed from the user's perspective, removing only restrictions and possible nuisances such as copyright warnings and movie previews.
HDTV or DS Rip[14] DSR
DSRip
DTHRip
DVBRip
HDTV
PDTV
TVRip
HDTVRip
Very common
TVRip is a capture source from an analog capture card (coaxial/composite/s-video connection). Digital satellite rip (DSR) is a rip that is captured from a non standard definition digital source like satellite. HDTV or PDTV or DTH (Direct To Home) rips often come from Over-the-Air transmissions. With an HDTV source, the quality can sometimes even surpass DVD. Movies in this format are starting to grow in popularity.
Analog, DSR, and PDTV sources are often re-encoded to 512×384 if fullscreen, 640×352 if widescreen. HDTV sources are re-encoded to multiple resolutions such as 640×352 (360p), 960×528 (540p), and 1280×720 (720p) at various file sizes for pirated releases. They can be progressive scan captured or not (480i digital transmission).
VODRip VODRip
VODR
Common, becoming more common
VODRip stands for Video-On-Demand Rip. This can be done by recording or capturing a video/movie from an On-Demand service such as through a cable or satellite TV service. Most services will state that ripping or capturing films is a breach of their use policy, but it is becoming more and more popular as it requires little technology or setup. There are many online On-Demand services that would not require one to connect their TV and computer. It can be done by using software to identify the video source address and downloading it as a video file which is often the method that bears the best quality end result. However, some people have used screen cams which effectively record, like a video camera, what is on a certain part of the computer screen, but does so internally, making the quality not of HD quality, but nevertheless significantly better than a Cam or Telesync version filmed from a cinema, TV or computer screen.
BD/BRRip BDRip
BRRip
Blu-Ray / BluRay / BLURAY
BDR[15]
BD5/BD9 (also known as BD25/BD50) Very Common, becoming even more common
Similar to DVD-Rip, only the source is a Blu-ray Disc. A BD/BRRip in DVD-Rip size often looks better than a same-size DVD rip because encoders have better source material. A common misconception among downloaders is that BDRip and BRRip are the same thing. They differ in that a BDRip comes directly from the Blu-ray source, while a BRRip is encoded from a pre-release, usually from a 1080p BDRip from another group. BDRips are available in DVD-Rip sized releases (commonly 700 MB and 1.4 GB) encoded in Xvid or x264, as well as larger DVD5 or DVD9 (often 4.5 GB or larger, depending on length and quality) sized releases encoded in x264.
BD5 or BD9 are also available, which are slightly smaller than their counterpart DVD5/DVD9 releases. They are AVCHD compatible using the BD folder structure, and are intended to be burnt onto DVDs to play in AVCHD compatible Blu-ray players. More recent types, probably associated with the use of newsgroups and cheaper storage at home, are complete Blu-ray copies (images). They are commonly referred to as BD25 or BD50 and may or may not be remixed (but not transcoded). (Remixing is keeping the original video, but eliminating audio tracks, and/or adding audio tracks in other languages.)
BD/BRRips come in various versions: the m-720p (or mini 720p), which is a compressed version of a 720p and usually weighs around 2–3 GB; the 720p, which usually weighs around 4–7 GB and is the most downloaded form of BDRip; the m-1080p (or mini 1080p), which usually weighs a little bit more than 720p; and the 1080p, which can weigh from 8 GB to sizes as big as 40–60 GB. There are also mHD (or mini HD) versions available, which are encoded in lower resolution and are smaller in size.
WEB Rip WEB-Rip
WEBRIP
WEB Rip
Common, WEB-DL is preferred
This is a rip created by capturing video from a screen, either broadcast or using a service like Hulu or Netflix. Quality can range from mediocre (comparable with low quality XVID encodes) to excellent (comparable with high quality BR encodes). Essentially, the quality of the image obtained depends on internet connection speed and the specifications of the recording machine.
WEB-DL WEBDL
WEB DL
WEB-DL
Common, becoming more common
This is a movie or TV show downloaded via an on-line distribution website (web download) like Amazon or iTunes. The quality is quite good since they are not re-encoded. The video (H264) and audio (AC3/AAC) streams are usually extracted from the iTunes or Amazon file and then remuxed into a MKV container without sacrificing quality.
An advantage with these releases is that they mostly have no network logos on screen, just like BD/DVDRips.
Re: Scene Releases - Movie Sources & What They Mean
heres some more
VHSRip:
Transferred off a retail VHS, mainly skating/sports videos and XXX releases.
TVRip:
TV episode that is either from Network (capped using digital cable/satellite boxes are preferable) or PRE-AIR from satellite feeds sending the program around to networks a few days earlier (do not contain "dogs" but sometimes have flickers etc) Some programs such as WWF Raw Is War contain extra parts, and the "dark matches" and camera/commentary tests are included on the rips. PDTV is capped from a digital TV PCI card, generally giving the best results, and groups tend to release in SVCD for these. VCD/SVCD/DivX/XviD rips are all supported by the TV scene.
DivX Re-Enc:
A DivX re-enc is a film that has been taken from its original VCD source, and re-encoded into a small DivX file. Common groups are releasing these are SMR and TND. These aren't really worth downloading, unless you're that unsure about a film, and you only want a 200mb copy of it. Generally I would avoid these.
Watermarks:
A lot of films come from Asian Silvers/PDVD (see below) and these are tagged by the people responsible. Usually with a letter/initials or a little logo, generally in one of the corners.
Asian Silvers / PDVD:
These are films put out by eastern bootleggers, and these are usually bought by some groups to put out as their own. Silvers are very cheap and easily available in a lot of countries, and its easy to put out a release, which is why there are so many in the scene at the moment, mainly from smaller groups who don't last more than a few releases. PDVDs are the same thing pressed onto a DVD. They have removable subtitles, and the quality is usually better than the silvers. These are ripped like a normal DVD, but usually released as VCD.
Scene Tags Explained
PROPER:
Due to scene rules, whoever releases the first Telesync has won that race (for example). But if the quality of that release is fairly poor, or if another group has another telesync (or the same source in higher quality), then the tag PROPER is added to the folder to avoid it being duped. PROPER is the most subjective tag in the scene, and a lot of people will generally argue whether the PROPER is better than the original release. A lot of groups release PROPERS just out of desperation due to losing the race. A reason for the PROPER should always be included in the NFO.
LIMITED:
A limited movie means it has had a limited theater run, generally opening in less than 250 theaters.
INTERNAL:
An internal release is done for several reasons. Classic DVD groups do a lot of INTERNAL releases, as they wont be dupe'd on it. Also, lower quality theater rips are done INTERNAL so not to lower the reputation of the group. Also, it can be labeled INTERNAL due to the amount of rips already released. An INTERNAL release is available as normal on the groups affiliate sites, but they can't be traded to other sites without request from the site ops. Some INTERNAL releases still trickle down to IRC/Newsgroups, it usually depends on the title and the popularity. Earlier in the year people referred to Centropy going "internal". This meant the group was only releasing the movies to their members and site ops. This is in a different context to the usual definition.
STV:
Straight To Video. Was never released in theaters, and therefore a lot of sites do not allow these.
ASPECT RATIO TAGS:
These are *WS* for widescreen (letterbox) and *FS* for Fullscreen.
REPACK:
If a group releases a bad rip, they will release a Repack which will fix the problems.
NUKED:
A film can be nuked for various reasons. Individual sites will nuke files for breaking their rules (such as "No Telesyncs"), but if the film has something extremely wrong with it, (no soundtrack for 20mins, CD2 is incorrect film/game etc), then a global nuke will occur, and people trading it across sites will lose their credits. Nuked films can still reach other sources such as p2p/usenet, but it's a good idea to check why it was nuked in the first case. If a group relizes there is something wrong, they can request a nuke.
NUKE REASONS:
This is a list of common reasons a film can be nuked for...
BAD A/R = bad aspect ratio, i.e. people appear too fat/thin
BAD IVTC = bad inverse telecine...process of converting frame rates was incorrect.
INTERLACED = black lines on movement as the field order is incorrect.
DUPE:
Dupe basically means what it says. If something exists already, then theres no reason for it to exist again without proper reason. Usually the group releasing the DUPE will explain the reason for the release in the NFO.
Re: Scene Releases - Movie Sources & What They Mean
